We used Iris to manipulate vocal recordings, create unusual loops during playback and layer in synth textures and samples to beef up the sound of the vocals and lend a unique quality. We were able to create Earcon gestures with this quick, futuristic texture for a space-themed proof of concept.įor activewear brand Ethona, we iterated deeply on the creation of an ownable vocal texture. Recently, we used iris alongside the free library of space sounds that NASA released to isolate the “beep” sound of the Sputnik satellite, eliminating all the digital breakup and low-frequency space-rumble that came along with the recording. So download the free Iris 2 presets and patches, listen to their three-song EP that was created using this pack, and read more about how these sounds were created below.Īudio UX: We’re always looking to create totally unique and ownable timbres, especially for UI sound-driven initiatives, and the spectral selection allows us to do just that. ![]() “We’re able to take these sounds that may not even sound tonal and instantly create a playable instrument” says Audio UX co-founder Eric Seay. Their latest EP, RUIN, showcases sounds recorded in abandoned spaces where they captured samples and impulse responses before composing soundscapes with Iris 2. ![]() A creative audio agency, Audio UX wants to “sonify your story.” Based in New York, the team behind Audio UX believes that there should be no arbitrary sounds in experiences that include audio-that everything a listener hears, whether on a brand’s website, watching a movie trailer, or playing a game wearing a virtual reality headset-ought to be purposeful in communicating a story.Īnd while Audio UX designs sound and creates original compositions for brands like Cole Haan and SpinCar, one way that Audio UX tells their own brand story is by creating EPs showcasing the sounds they are capable of producing.
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